Warm, wonderful and woollen: the Interiors Collection @woolweek

wi2Campaign for Wool’s fifth annual Wool Week is celebrating the beauty and versatility of wool for fashion and interiors, and where better to hide from the blustery showers than in the pop-up Interiors Collection gallery in Southwark Cathedral.  The curated collection of more than fiftyl wool products features fabrics, flooring and furnishings from the high street to bespoke and designer pieces commissioned for commercial clients.  Here are my top ten:

wi3Roger Oates Stromness runner (70cm wide x 230cm long) is woven from pure un-dyed Shetland Wool in the UK.  Four natural colours, ivory white, light and deep grey and ebony, create bold stripes with a contrasting border.  The subtle hues of the un-dyed wool lend themselves perfectly to the geometric and monochrome trends of the moment.

wi10The Røros Tweed storm blanket (120x180cm, £195) from Toast, also uses the natural monochrome tones of un-dyed wool, this time from Norway.  Røros, established as a mining town in 1646, is on UNESCO’s list of World Heritage Sites. In 1789, when the director of the mine, Peder Hiort, died childless, he bequeathed his entire fortune to a foundation set up to provide training to the poor in handicraft and textile production.  Røros Tweed was established in 1940 to sell handmade textiles, and continues to ensure the whole process from raw wool to finished product stays in Norway.

wi9Mary Goodman‘s Seating Spheres, launched at Tent London, are a mix of British Swaledale and Herdwick wools.  The spheres are made to order and are a fun addition to any home office.

wi8For a less energetic seating solution, Galvin Brothers  (Completely) Imperfect Day Bed, upholstered in Melton Earth Cobalt and Boutique Islington grey from Abraham Moon would be a very sophisticated place to recline with a good book or simply find a moment of calm.  Firm, flat and fit for a daytime ‘power-nap’, it is also a single bed worthy of any overnight guests.  Made of solid oak and finished with Danish oil, the bed (180 x 44 x 80cm, £1,985) has the Galvin Brothers signature turned leg.  Their partnership with local supplier Abraham Moon, established in 1837 and one of one of Britain’s last remaining vertical woollen mills, means this piece of furniture is Yorkshire through and through.

wi4Bailey Hills’ Comati Stripe Metallic cushion has the striking motif digitally printed on to 100% wool twill.  The metallic shimmer is the perfect complement to Jonathan Adler‘s luxurious handcrafted Ingmar Chair (£2,250) with its shearling-lined seat.  What an indulgence.  wi6Kit Kemp for Christopher Farr Cloth’s folklore embroidered fabric, 100% wool with cotton embroidery (£280/m), is luxury with a colourful and artisanal flair.

The Tetrahedron and Falling Cubes cushions (£95) made for Pentreath and Hall by Fine Cell Work, a social enterprise that trains prisoners in paid, skilled, creative needlework, bring colour to geometric designs. Georgia Bosson’s Skeleton ‘Crosses’ cushion is made from industrial wool felt waste material overlaid on linewi7n.  From £55 each, the cushions are limited edition, and by the nature of their materials unique.

From the decorative to the utilitarian for the last of my picks, Hey-Sign’s collection wi5of laundry baskets made from 100% wool felt with 30°, 60°, 90° (35 × 27 × 75 cm) motif.

Wool’s versatile aesthetic appeal is long-lasting, as it is a resilient performance fibre.  Wool has many virtues being natural, renewable and biodegradable (if pure wool).  It is also multi-climatic, keeping you warm in winter, and breathable to keep you cool in summer.  In the home, wool is an effective insulator with anti-bacterial and hypoallergenic properties and is naturally fire-retardant.

wi1With such a strong British wool heritage, I look forward to an exhibition that captures stories from native breeds and traditional crafts to outstanding contemporary design and innovative materials.

The Interiors Collection is on display at London’s Southwark Cathedral during Wool Week – open from the 5th – 12th October 10am – 7pm daily (8pm on Thursday).  Admission is free.  If you can not make it there, then have a look at OneWool, the new online gallery showcasing the largest collection of wool interiors products.

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Tent London 2014 favourites

logoA pitstop at Nude Espresso on Hanbury Street set me buzzing for my favourite London Design Festival destination, Tent London.  The more established SuperBrands and international zones on the ground floor soon merge into the fresh, fun and less formal stands typically from younger or emerging designers.hyde  My first rendez vous was not with an exhibitor, but with potter and designer Isatu Hyde. I bought some of her medium-sized stoneware bowls, inspired by those from a monastery in Harrogate, at the New Designers show earlier in the year.  The bowls are in demand, so much so that Isatu asked to borrow mine for Design-Nation Presents at the Southbank Centre Terrace Shop.  Tickets are still available for the Meet the Maker evening on Tuesday 7th October, but you can see the work on show until 31st October. Unburdened, I was free to roam.  The understated elegance of Mater immediately caught my eye.  Founded in 2006, Mater (Latin for mother) is a high-end Danish furniture and lighting brand with a philosophy based on design, craftsmanship and ethicsTD1.  Contemporary design is combined with support for local craftsmen, their traditions and careful material selection.  A member of the UN Global Compact, and supporter of local sustainable business projects, Mater strive to minimize negative impacts, creating durable and desirable products that they home their customers will cherish. Pictured are the Luiz pendant lamp, made from natural FSC (Forest Stewardship Council) cork, suspended above the Bowl Table.  The table top is made mango wood, felled once the tree has reached the end of its productive life, and another planted.  The top is hand-turned on a lathe by craftsmen from the Kharadi community.  The top is finished with a lead-free, water-based polyurethane lacquer.  The hollow steel legs can be removed for more efficient packing and transport.  Mater products are stocked by Skandium in the UK. td3Exploring the story of the object, Second Sitters upholstery installation workshop was a chance to appreciate the skills, techniques and materials of upholstery up close, and hands-on as you could delve into boxes of horsehair, hessian and more.  Furniture Magpies revive furniture in a different way.td2  Literally deconstructing unloved pieces and reconfiguring them to more contemporary tastes while retaining their character and story.  The coffee table made of cross-sections of banister spindles was particularly striking. Upstairs were two of my favourite makers, both launching new collections. Galvin Brothers were presenting their new Cross Lap collection.  A clean and contemporary collection of tables, benches, consoles and stools in native steamed beech and American black walnut, and finished in water-based lacquers.tl5  Described as “modern rustic”, and in colours close to Carefully Curated’s own palette, how could I not be a fan?  Here is Matthew Galvin, just completing a piece to camera for Casafina’s round up of Tent London, which also features, Sebastian Cox. London Design Festival was a busy week for Sebastian Cox with the Wish List (and workshop) at the V&A, scorching and swilling pieces for the New Craftsmen, on Radio 4 with Sir Terence Conran, and the nominations for the Wood Awards, and Elle Decoration’s Best British Sustainable Designtl6 In the midst of this exciting flurry, Cox’s stand had an air of calm, matching the quiet serenity of the newly launched Underwood Collection, all made from hand-coppiced Kentish hazel and well-managed British ash.  The collection is called ‘Underwood’ as the pieces use coppiced hazel ‘in the round’, that is usually considered waste. In the foreground are pictured the ‘Hewn’ tea table (£195), bench (£300), and trestle (£170 each).  The Mop stick ladder (£210), shelves (£790) and Peg hooks (£55) are in the background.  A true celebration of British hardwoods. tl8Nearby, Daniel Heath launched his Art Deco collection.  The geometric motifs are etched onto reclaimed Welsh roof slates transforming the discarded into decorative interior surface materials.  The geometric shapes of Tracey Tubb’s wallpapers are inspired by origami.  Each sheet is hand-folded from a single roll of paper.  Tracey assures me the paper does not attract dust. The pattern’s on Seascape CuriositiesSealace wallpaper are by their nature more fluid.  Handtl9-drawn illustrations inspired by our beautiful underwater landscapes.  Using FSC approved and 100% recycled papers, Sara cuts intricate floating marine forms by hand creating three-dimensional wallpapers.  The works drew particular attention from Chinese, Japanese and Korean visitors, whose cultures have established traditions of paper-art forms. tl10Paper pulp from old newspapers is the fodder for Crea-Re’s ‘Copermicus’ lighting collection.  100% recycled, the paper mulch is mixed with ochre, or left grey, shaped, and left to dry.  The irregular, cracked shape with small holes or craters, means when the “Luna” light is turned on, the light creates a unique, mottled shadow. tl15While I missed the visual impact of the Material Council’s display of material cubes from 2013, this year, ‘Nooks, Niches and Cranniesʼ, featured Trash Glass from Diana Simpson, the first in a series of products developed using reclaimed waste as raw ingredients. tl12With my Welsh connections, I was delighted to catch up with Blodwen‘s founder Denise Lewis.  All Blodwen’s new blankets are woven at a 180 year old mill in the Teifi Valley, west Wales, not far from the National Woollen Museum.  The Heritage Blanket Collection (£345 each), inspired by a weaver’s pattern book datitl14ng from the 1700’s, are woven on the original 1930’s Dobcross looms.  The striking patterns caught the eye of recent fashion graduate, Sarah Hellen.  Inspired by the traditional skills of Welsh artisans, Hellen used some of Blodwen’s Heritage geometric ‘Hiraeth’ pattern for her menswear collection.  From baskets to traditional Welsh clogs, Blodwen is committed to the preserving and reviving the rural crafts and skills of Wales. A last word on some accessories.  The beautiful A-Z of edible flowers, A Matter of Taste, from Charlotte Day, which pique interest in some overlooked varieties and remind us of nature’s beauty tl16and bounty. I shall have to invest in one of Mary Goodman‘s Seating Spheres, a large wool covered exercise ball, described as a “sculptural addition to contemporary interiors” for use as a footrest, or seat.  I have used an exercise ball as my office chair for years.  The subtle instability stops any slump at the computer, and rolling around helps keep the blood flowing.  All the yarns are ethically sourced, with hard-wearing British wools such as Herdwick, Swalewick, Jacob and Axminster rug wool used for the spheres.  Mary Goodman will be showing her work as part of Campaign for Wool Interiors Collection at Southwark Cathedral, 5th -12th October. London Design Festival ended on a high note at Tent London!

Related link:

https://carefullycurated.co.uk/2013/08/20/welsh-blankets/

More Carefully Curated @Clerkenwell Design Week

IMG_3480There was so much to see at Clerkenwell Design Week, I could not see it all, but here are a few more favourite finds.

Firstly, a step into Forbo Flooring Systems who make linoleum, project vinyl, carpet tiles, and flocked flooring for commercial and residential customers.  With a clutch of environmental awards to their name, including BREAM, Cradle-to-Crade and Nordic Swan, theInfographic_April_2014y are proud of their commitment to responsible raw material procurement and manufacturing processes.  Forbo use Life Cycle Assessment to evaluate their products’ environmental footprint, before, during and after production.  The info graphic, Creating Better Environments shares some of the highlights.  For example, marmoleum (linoleum) is made from 97% natural materials with natural antibacterial properties, contains 43% recycled content, has total VOC 30 lower than the norm and CO2 emissions 50% than other resilient floorings.  It could soon be on the floor of the family bathroom! 

Instyle Textile WallI had to stop at Brands ,a few doors down, to hear about the “holistically reared sheep” (as pitched in the Icon Guide to CDW) whose wool is used for the LIFE textile range from Instyle.  LIFE textiles were developed along  Cradle to Cradle principles, made from 100% low-pesticide wool that is processed with biodegradable detergents, and heavy-metal free dyes.  Wool has many virtues, and this cloth, suitable for upholstery or screen use, is also recyclable through Instyle’s Revive programme.  Instyle Green Feel Bags LondonTo show the colours and weave to their best effect, the fabrics have been made into covetable backpacks by Cherchbi, a British leather goods company that prides itself on using the best natural raw materials such as vegetable-tanned English saddle leather and discarded wool from the ancient Herdwick breed.  The bags are a playful way to show the beauty and versatility of the LIFE Textiles and Cherchbi craftsmanship.

IMG_3479I had a quick perch on a (very comfortable) bed at Ensemblier London to hear from founder Emma Storey about the craftsmanship invested in their customisable headboards.  With designs inspired by the rich archives of the Victoria & Albert Museum, the headboards are handmade in small workshops in England using traditional skills and sustainable materials.

photoCraftsmanship and traditional skills were also in evidence elsewhere.  The beautiful copper and terracotta objects (pictured at the top)from Hend Krichen are the fusion of a London-based design practice and a network of craftsmen in Tunisia revealing the country’s natural resources and artisanal heritage.  The perfect complement to the kitchen I am coveting after seeing this bar (pictured right) at the Benchmark Furniture stand.

IMG_3495 IMG_3497I caught my breath with a perch on Neb Abbott‘s Geffrye stool.  The stackable stool is based on a commission for eight benches as temporary seating for the Geffrye Museum cafe. Neb is about to graduate from the CASS School of Art, Architecture and Design.  Alongside the stool stood the Wasp series of chairs.  The playful exploration with materials (my favourite is the webbing) belies the serious design consideration to providing lumber support.  It is seriously comfy!

allo_high1Studio 23, founded by Naori Priestly, a Royal College of Art graduate, works with the Allo Club in Sankhuwasabha, a small mountain village in eastern Nepal, to produce handmade fabrics from the Himalayan Giant Nettle (known as Allo). Allo grows naturally in forests above 1500 metres, helping to stabilise the fragile soil in mountainous areas.  Local peoples harvest allo, as they have done for generations, boiling and beating the stem bark and then spinning the fibres and weaving them into sacks, bags, jackets or fishing nets.  As a social enterprise, Studio23 aims to preserve the community’s skills, the landscape and provide another source of revenue.  The natural fabric is strong and durable.  It would look great as chair seat, or cushion, particularly the subtle herringbone weave. IMG_3481 Or cover a sofa, add a few hand-knitted cushions from Rose Sharp Jones (pictured left), and then relax…..

 

Photocredit: Brands Ltd; Forbo Flooring Systems for the info graphic; Studio23 and the rest are mine.

Related post: Design Factory @Clerkenewell Design Week

 

May Design Series – cc edited highlights

tr1Time for another design pilgrimage to the ExCel centre for the May Design Series 2014, featuring 400 suppliers of kitchens, bathrooms, lighting, furniture, decor and an edited selection of products from four key European shows (Maison et Objet, Paris; IMM Cologne; Light & Build, Frankfurt and i Saloni, Milan), as well as New Design Britain.  

I was delighted to see Tom Raffield Design.  It was an a-ha moment for me as a few years ago I bought some pendant lights for our house (the Helix and the Hive I now know).  They are often complimented, but I could not remember where I sourced them from.  Suddenly they are everywhere, in the Green Room at Salone del Mobile, at Chelsea Flower Show as part of the Artisan Retreats (alongside another favourite, Eleanor Lakelin) and here at May Design Series.

Tom Raffield designs and handcrafts steam-bent furniture and lighting.  Steam-bending wood is a traditional woodworking technique, that is low energy and adhesive-free. Tom developed his own technique to create the complex, fluid shapes characteristic of his work.  All the wood is from sustainably managed sources and typically unseasoned, green or air-dried timber, and any wastage used for the composting toilet!  The wood is finished in lemon oil, beeswax or a water-based varnish.  Not only is the production process ecologically sound, the products are built to last, and so beautiful you will cherish them for a long time.  I loved the coat loop (pictured in the background), literally Shaker with a twist, and the occasional table with its sinuous, curved detail, a new product launching at May Design Series.

myx-hanging-lamp-growing-180dpiWhile waiting for the 11.15am Conversation Series discussion on the circular economy (more of that later), I was drawn to Smart Environment zone.  MYX is a material cultivated over 3-4 weeks using oyster mushrooms grown on a hemp and linen fibre mat.  The fibres are byproducts of clothing and rope manufacturing.   The fibres are woven with mushroom spores, and as the mycelium (vegetative part of the fungus) grows the textile-like material gains strength and flexibility from chitin, the polymer in mushroom cell walls.   The material can be shaped, in this case as a lampshade (pictured right) then dried leaving a lightweight material that is organic and compostable.  And you can harvest oyster mushrooms in the meantime, so MYX is an end-waste product, that products a delicious food product in its growing cycle.   What a deliciously sustainable example of the circular economy!

Next door, Nobelwood is a smart alternative to tropical hardwood.  Fast-growing pine (FSC certified) is fully impregnated with water soluble biopolymers made from bagasse from sugar-cane.  After drying, the wood has the colour of natural teak and weathers (if un-treated) to a silvery grey colour when used as exterior cladding.  I hope to see a garden furniture set on the market soon!

wall2bearIn the New Design Britain corner, I couldn’t walk past Cristiana Ionescu’s family of felt bears without a smile.  What a delightful accessory for a toddler’s room.  Helen Dugdale‘s colourful Paper-Knotwood caught my eye.  Helen wanted to create a sustainable, recyclable material from coloured paper.  Each piece is unique with the possibility of bespoke colour patterns and combinations.  The material can be cut, sanded, and machined to reveal its layers as a grain, or used as a veneer.  A candy bright or subtle stripe for any interior surface.  

feltFrom the hard to the soft, comfort of 100% pure wool felt from Hollandfelt.  There was a rich array of vibrant colours urging me to stroke them.  Hollandfelt is one of the few felt producers using 100% pure wool from Australian and South American sheep whose fleeces have softer fibres than those closer to home.  The Merino wool is washed in hot water with natural soap rubbing the fibres together to create wool felt.  Felt is renewable and recyclable.  Hollandfelt contains some recycled material from previous customers re-dyed to a darker colour.  The carpet felt, twice felted for durability, is naturally flame and dirt retardant, as well as having good insulating and acoustic properties.  Woolfelts are suitable for fashion, furnishing, architectural interiors and craft applications.  All the products have reached the Öko-Tex 100 standard whose test criteria exceed existing legislation, for example limiting formaldehyde use and banning allergenic dyes, and why wouldn’t you err on the side of caution when choosing materials that you live with?

corkThere were definite moments when I would have been grateful for a seat in the Corqui, made of natural, renewable and sensual cork from Corque Design and designed by Pedro Silva Dias (600x50x690mm).  My potential choice of seating was not limited though as Out of the Dark provided eight chairs for a Silent Auction (pictured below) to raise both awareness and funds for their social enterprise that trains young people from disadvantaged backgrounds to recycle, restore and repaint furniture.  More of their wares were on display in the DX section of the show.  I have just got wind of an exciting collaboration between Out of the Dark and one of my favourite makers, Sebastian Cox, so watch this space for more news!

ootdIn the meantime, news from Clerkenwell Design Week will follow, along with tales of the discussion on the circular economy hosted by Stephen Gee, Director of Resource, with Sophie Thomas, Co-Director of Design, RSA, Mark Shayler, Managing Director of Ticketyboo, and James Bell, Environmental Consultant at FIRA.

 

 

Photocredits:  Jonas Edvard (MYX); Helen Dugdale

Home/Craft London/ Top Drawer – the cc edit

woodcutIt felt like a sprint finish to get round the cavernous halls of Earls Court on the final day of the trinity that was Home, Craft London and Top Drawer 2014, but I was well rewarded for my efforts.  It was a chance to get a sneak preview of new product launches, learn more of the story behind the label, or simply a face to a name.  Here are the cc edited highlights.

On the threshold of home was Plumen, sculptural lighting that is also energy efficient.  After the look-at-me exuberance of the original Plumen 001, the new kid, Plumen 002, is a simpler, more subtle design.  With luminosity equivalent to a 30W incandescent bulb and colour warmer than the  Plumen 001, the overall lighting effect is softer, but still architectural.  The compact fluorescent bulb has a lifetime of 8000 hours, or 8 years of normal usage and is recyclable.  It is not yet dimmable, but they are working on it!

mG7ClaqvSPiOnMWcvkLdWPAJust across the way was one of my current everyday joys, the Black +Blum Eau Good water bottle complete with charcoal filter.  Then, I made a bee-line for Stuart Gardiner to admire the fun and informative prints on oven mitts, tea towels and aprons.  Stylish aide-memoires to seasonal foods to hand in the kitchen when you need them!

BOJJE - WILD FLOWER SET CUTOUTOther kitchen accessories that caught my eye were the ‘wildflower’ range of utensils fashioned from beech and stainless steel (pictured left).  They are simply beautiful to look at and to hold.  Bojje are based in Suffolk with a passion for the materials they use, particularly wood.  Combining traditional woodworking , woodland crafts and modern technologies the products have a graceful, simplicity and sensuality.

27033759_57400Hop and Peck’s set of platter boards (pictured right) are handmade from sustainable solid oak and finished in Danish oil, from £35.

I had a brief pause to admire Haidee Drew’s bamboo chopping boards. More tableware in bamboo fibre was available from Ekobo who were showing their range of traditional handmade bamboo and laquerware and also Biobu, a range colourful enough for all the family to enjoy eating from.  I love the cool simplicity of the FAT Ceramics designed by Piet Hein Eek for Fair Trade Original.   The contemporary twist provided by Piet Hein Eek’s designs still allow the traditional craftsmanship of the producers in Thailand and Vietnam to shine through.

brushes

The handiwork of veteran crafts makers from Handmade-Japan was on show at Craft London.  I have been on the hunt for a good broom (and a mop) so loved the colourful ‘Nanbu Hoki’, traditional, handmade brooms and brushes made from all natural fibres.

rugNatural fibres such as pure new wool, jute and fair trade, organic cotton are the basis of Waffle Design‘s distinctive textured cushions and throws.  New designs for 2014 also included products made from upcycled aran carpet yarn.  The yarn was rescued from an old carpet factory in Yorkshire, and hand dyed in small batches in East London.  Tweedmill had a whole (makeshift) cabinet of colourful recycled wool and fleece throws on show, pictured left.  They also produce recycled picnic rugs, draft excluders, bags, cushions and even a garden kneeler.

smileAnd on to the bigger ticket items.  Fun furniture with clean lines and contemporary shapes from Lozi Designs.    The smile shelves were generating a lot of interest, and good humour (pictured right).  Close by, Wayfarer Furniture offered another response to eco-urban living with two new collections on show, the Prima and Tempo.  The first, Prima, uses wood, the second, Tempo uses lower grade, but also low carbon materials of fibre and corrugated board, both are a discursive response to ethical living in an urban environment.

acAnother Country‘s approach to sustainability is to make furniture that has timeless appeal crafted using traditional and modern techniques from responsibly sourcing materials.  Good design has physical and emotional longevity, and every piece from Another Country has a simple elegance you can enjoy for a long time.  The new Series 3, made from oiled beech and inspired by Edwardian industrial furniture, would work, literally and metaphorically, well at home or in the office.  The new Soft Series of blankets and cushions made from 100% hand-dyed wool with UK weavers Gainsborough Silk Weaving Company in three graphic designs is a simply covetable collection.

Finally, the beautiful laser cut silhouettes of trees by Clare Cutts, pictured at the top of the page, are an elegant and evocative way to bring the outside in to any space.  The designs are based on photographs of trees taken by Clare. Originally, Clare created the woodcuts to emboss tree prints on paper, but realised the woodcut are things of beauty in their own right.

corkAnd last, but not least, as I prepared for my cycle home, I was wishing for a pair of cork bicycle grips designed by Green and Blue and handmade in Portugal.  Cork is durable, anti-bacterial and offers cushioning, the perfect material for bike grips.  Cork is a naturally renewable, and these grips are hand made from Portuguese cork harvested in managed forests. They have beautiful form, and function.

What a hottie!

Seven_Gauge_Studio_2013_Product_on_White-140_large

The cold winter nights are still with us and one way to warm up is with a hot water bottle.  Who wouldn’t love a cuddle with one of these?

The warm tones of the Seed hot water bottle from Seven Gauge Studio (pictured left) alone will spark an inner glow.  Each cover is knitted on a hand-powered machine from top quality lambswool, then individually washed and slightly felted for a softer cuddle.  They are priced at £45, including the bottle, and made to order in England.

Hotties-210x210

The hottie covers from Laura’s Loom (pictured right) are made from Bluefaced Leicester wool that is sourced from the Yorkshire Dales.  The lovely colours of these Howgill fabrics deliberately evoke the colours and textures of Britain’s northern landscapes.  All Laura’s Loom products are designed, sourced and made in the UK, proudly celebrating Britain’s woollen heritage.  The hotties are available in the three colours shown, priced £24, and fit a standard 2l bottle (not included).

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An upcycled alternative, is the selection of hot water bottle covers made from vintage Welsh blankets that have been damaged beyond repair available from Jane Beck.  The blanket remnants are salvaged to make limited numbers of mini and full size hot water bottle covers.  Prices from £19.99 for a mini hottie, with bottle included.

hottiebottie400px_250pxx370_99241f4dd82b68b3c9669f6c284a545bFor a homemade option, the Hottie Bottie hot water bottle cover felt making kit from Gilliangladrag includes the wool tops, ready cut plastic template and full step-by-step feltmaking instructions written by Gillian Harris, author of “Complete Feltmaking” and “Carnival of Felting”.  A basic felt making kit (bamboo mat and net) is also required.  I am quite tempted to sign up for a Learn to Felt course, £65 for the day at the Fluff-a-torium in Dorking.

cherrystonebagThe cherry stone bag from Momosan is an original, and understated alternative to  conventional hot water bottles.  The 100% African cotton bags are filled with cherry stones that are a by-product of jam and kirsch making.  Apparently, Swiss distillery workers traditionally heated bags of the stones on warm stoves to sooth bumps and aching muscles.  If you don’t have a stove to hand, you and I  can heat the cherry stone pillows in the microwave to soothe muscular tension or warm feet in bed.  The bag can also be chilled for use as a cold compress on sprains or headaches.  The bags are available in 9 different patterns and cost £22.

Nights need no longer be chilly!

All pictures are from the suppliers websites.

Pop-tastic for Christmas

Lauras-Loom-scarves-Blues-150x150 Creative Clerkenwell is open for four more days featuring a selection of jewellery, ceramics and home wares.  It will be a beeline to Laura’s Loom to check out the throws made of 100% British wool, (I have an eye on the Howgill Scarves woven from  Bluefaced Leicester wool, £42, pictured), followed by a pitstop at Waffle Design to hear more about their work with natural fabrics and artisanal production.

SCT_318dJust opened at 118 Shoreditch High Street is a pop-up shop for Restoration Station, a social enterprise that restores vintage and designer furniture for resale.   Some of the team working on Restoration Station have trained with the New Hanbury Project (NHP), a skills training centre for people recovering from addiction.

lucentiaSitting alongside the seasonal ice-rink at Somerset House is the Christmas arcade with the Handmade in Britain Christmas pop-up with work from over 65 designers and makers.  I love the cushions from Lorna Syson, Noa Design rainbow necklace, and Lucentia‘s subtle, translucent place mats and coasters made from recycled plastics and textiles.

If you enjoyed Design Junction in September, you’ll be delighted to hear about their Christmas pop-up that is taking place at 53 Monmouth St, Seven Dials, in collaboration with Clippings.com.

Across the river on the south bank at Gabriel’s Wharf is the Shake the Dust pop-up, selling a bright selection of home wares, kitchen accessories, jewellery and prints that are all collaborations between emerging UK designers and ethical producers in developing countries.

Also on the hit list is a trip to see Lozi Designs pop-up in Alfred Place, WC1E 7EB showcasing their new collection of clean, contemporary furniture made from steam bent birch plywood, organic glue and milk-based paint.  I am looking forward to seeing the bedside table, and kitchen furniture.

Further afield, in Bristol, the Christmas Design Temporium is taking place at the Architecture Centre in Bristol showing a design led and architectural inspired collection of jewellery, textiles, prints and artworks.

More news from Restoration Station and Lozi Designs to follow.

East London Design Show – the CC edit

935606_748233341857996_477679725_nIt was a trip for all the family to the East London Design Show.  The website said, “Bring the kids” so we did, and they were catered for making hats, colouring and perusing the stands.  Their edit might have been different to mine.

Like a magpie draw to the bright and brilliant, I honed in on the Galapagos stand.  I have admired their uber-luxurious take on up-cycling before at Tent London, and there were plenty more mid-century chairs reupholstered in colourful, contemporary prints  to covet  at the ELDS this weekend.  The founder of Galapagos, Lucy Mortimer, is on a mission to provide “high design products without the environmental impact”, and to make buying vintage furniture as accessible as buying new. The chairs are so beautifully reupholstered they look like new too.  I love the latest collaboration with Parris Wakefield (thats the chevron print on the chair to the left).

clock

Re-purpose is at the heart of [re]design, a social enterprise that promotes ‘Good and Gorgeous design that is friendly to both people and planet’.  Here is a picture of clocks made from playing cards, a neat re-use of that deck of cards that is missing a few.  For the instructions on how to make the clock, and other things such as a pallanter (that is a planter made from a pallet, get it?), or a bath mat from a wetsuit, have a peak in [re]craft, a book full of everyday designs to make at home, from waste.   For more seasonal inspiration, try “Why don’t you…[re]design Christmas?”  I can’t help having a flashback to 1980s kids TV programming….

480774_10150923607836059_462348813_nMore making good use of the things that we find, was on display with Eco-pouffe, a social enterprise.  The pouffe is handmade in Shoreditch from recycled car tyres, bicycle inner tubes and legs turned from recycled timber.  The stool is traditionally upholstered using cotton felt (a by-product from mattress-making) and covered in fabric from Holdsworth, suppliers to the Tube, or a fabric of your choice.  It is certainly built to last.

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From London to Laos and the beautiful, subtle textiles of Passa Paa.  Founder Heather Smith, a graduate of Chelsea Design School, combines traditional handcrafting techniques with innovative materials to create textiles that are firmly rooted in the patterns and symbols of traditional textiles in Laos, but re-interpreted for today.

The Hmong people of Laos have long used hemp for clothing and household items.   Pass Paa hand screen print the hemp with indigo and black environmentally-friendly dyes to make these stunning cushions, some of which are finished with applique work.

58_8b3b438d-645c-4ae7-b0b8-83edf31f535c_largeAlso from the east, and drawing on traditional skills are the place mats, storage boxes and picture frames from cuvcuv. The debut collection, ‘Wild One’ is  made from mendong, a rapidly renewable (growing!) aquatic grass grown in North West Java, Indonesia.  cuvcuv founder, Ruth, has been working with a small family business to develop this, first range for four years.  As a former buyer for Fortnum and Mason, Ruth knows a thing or two about quality, artisanal skills and provenance, and her new venture, cuvcuv is full of them.

Around the corner was another new (ad)venture in renewable materials, Mind the Cork.  I only had chance for a fly-by chat with Jenny Santo as the kids were hungry by this point.  Suffice to say, Alice (aged 3) loved the place mats, or more specifically the holes that had been punched through the cork to create a floral design. I love cork, its look, feel and material qualities.

I was all touchy, feely with the gorgeous jumpers at  Monkstone Knitwear.  The wool for Monkstone knitwear comes from the Monkstone flock at Trevayne Farm, a mix of Black Welsh Mountains and Dorsets.  After the sheep are shorn, the fleeces are washed, and spun into yarn for hand or machine knitting. You can buy the yarn (£5 per 50g of undyed, naturally colour wool) or a delightful chunky jumper that is ready to wear.

Other stands we flew by wishing we could linger longer were HAM to admire the playful, minimalist prints of a pig, horse and rabbit on 100% British homewards; and Group Design to talk about their bamboo shelves.

And then we were off!

 

5 of the best Christmas stockings

FELT-STOCKING

The Christmas tree is up, and the decorations are down from the loft.  If your stocking is looking a little moth-eaten, here is a small selection of replacements: five of the best stockings.

1. For an injection of colour, try the felt stocking made by Sew Heart Felt for Toast at £39.  The stocking is hand made by communities of women in the Kathmandu valley, Nepal, from organic Tibetan lambswool felt and finished with a multi-coloured hand-embroidered stars.  All the pigments to product the felt are environmentally friendly.  And you could kit out the family in felt slippers to complete the ensemble, which character would you chose from badger or bee, wise owl or fiendish fox?  Another felt stocking, also made in Nepal, by the Women Entrepreneurs Association of Nepal is available from Shared Earth (£6.49) in ice blue or hot pink.

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2. Chevrons are all the rage, so if you or yours have been seduced by geometry, try this 100% Merino Lambswool stocking from Tori Murphy that is woven in Lancashire with a woollen cuff knitted in Yorkshire.  If you are more celestial than chevron, a similar stocking is available in a monochrome star pattern.

jaul_red_01_web_1024x10243. For a Scandinavian look,  you might be tempted by the Jaul stocking (£38) from  Anna Söderström, made of 100% British lambswool and handcrafted in London.
preview_recycled-ricebag-christmas-stocking4. A stocking made from recycled rice bags by a Fairtrade project in Cambodia (£7.50) available from Recycle Recycle.

5.  Make your own.  If your quick, there still might be space to join Emily Gibbs’ Make a Christmas stocking workshop on Monday 9th December.  Or Purlbee provides instructions to make a ‘super easy snowflake stocking’ (their words not mine!!).  Or, of course, you could always tie a huge bow of ribbon around an actual wellington boot!

P.S. To avoid any moths nibbling holes in the toes of your stockings for next year, try sandalwood or cedar balls.  Apparently Giles Deacon, the fashion designer and a keen insect collector, uses conkers as a natural deterrent.  Their brown skins contain a compound called triterpenoid saponin that wards off the pests.  Colibri make natural anti-moth sachets filled with sandalwood and essential oils packed in cotton paper that last up to six months , and available from John Lewis.

Sweet dreams with wool

duvetI have had my eye on some woollen bedding for a while, but recently out found that feathers and household dust may aggravate my daughter’s eczema.  Along with the 20% discount on all wool bedding that the Wool Room are running until 1st December, I had all the justification I needed.

The deluxe all seasons single duvet (reduced to £124) arrived with free delivery the next day!  The duvet is a summer 200gsm (3-5 tog approx) duvet and spring/autumn 300gsm (6-9 tog approx) duvet that can be snapped together with poppers to make a winter duvet.  The duvets are made from 100% platinum grade British wool, covered in 100% cotton and held in place with a quilted stitch pattern.  The duvet is machine washable on a wool cycle with wool detergent, spin and line dry, and benefits from a good airing.

Why wool?  Wool is a great insulator, helping to regulate temperature in hot and cool weather.    Wool ‘breathes’ and wicks away moisture (perspiration) when you are sleeping.   When moisture is trapped in a duvet, humidity increases which can make for a restless and disturbed sleep.  House dust mites also love warm, damp, dark conditions, and duvets made of synthetic fibres such as polyester or nylon or down are less able to regulate moisture.  As dust mites aggravate asthma and some other allergies, reducing dust mites may alleviate symptoms for asthma sufferers, and other allergies.  Wool is also anti-bacterial, and naturally flame retardant, as well as renewable, recyclable and biodegradable.

My daughter used to get hot at night and throw her old duvet off.  With wool we have noticed that happens less, and you don’t get all the stuffing getting stuck down one end!

pillow

Already convinced of the benefits of wool, we invested in some wool pillows.  I was keen to try out the folding pillow from Devon Duvets as our feather pillows seem to loose their plumpness after about a year.  Wool needs to be regularly aired to maintain its qualities of wicking away moisture, and the design of the folding pillow makes it easier to hang the pillow and air it effectively.  Simple.

We ordered the 3 fold wool pillow (£69) made of 100% Platinum Grade British wool in a 100% cotton casing and handcrafted in the Devon Duvets workshops.   The wool  is not bleached or chemically-treated (chlorine gas is often used to make tumble drying of wool possible).  The pillows can be machine washed, but must be thoroughly spin and line-dried.  The pillows are soft, springy and supportive.  Perfect for my own private slumber party every night of the year!